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Continue shopping sign inILME-FX6 Full-frame Cinema Line camera
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Overview
Visual stories with extraordinary freedom
Visual stories with extraordinary freedom
Cinema Line
Powerful BIONZ XRTM image processor
The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness.Impressive dynamic range for limitless expression
At its base sensitivity of ISO8003, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128003 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops1 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post.Fast Hybrid AF for accuracy and tenacity
The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6271-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)2.Real-time Eye AF and Face Detection supported
Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.Auto focus area/position
For auto focus, you can set the target area among Flexible Spot, Zone, Wide and change the position of the target area quickly during shooting by simply touching the LCD monitor. Tracking AF Pointer is available in software version 5.01 or later3.Magnesium body and frame for high durability with light weight
To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility.Architecture to prevent thermal shut down
The custom ventilation system and chassis design help to prevent the thermal shut down of shooting1 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan2, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.All-Intra encoding available
As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.
[1] All-Intra (All-I) [2] Long GOP [3] Group of Pictures
16-bit RAW SDI output
For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 1203 / 1003 / 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates4.Wireless monitoring and remote control
Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.Metadata facilitates editing in Catalyst
The FX6 records five types of metadata: image stabilisation, clip flag, camera rotation, breathing compensation and distortion compensation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software9.
[1] Shoot [2] Edit
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Promotions
NEW MEMBER BONUS: My Sony Rewards
My Sony Rewards gives you more reason to indulge! Sign up now and instantly receive an $5 voucher to splurge at any Sony Store. What's more? My Sony Rewards Vouchers are stackable with ongoing Sony Store promotions! Find out more about My Sony Rewards and voucher’s terms and conditions here.
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Features
Image sensor with blazing fast readout speed
The back-illuminated full-frame Exmor RTM CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
High performance image-processing engine
The BIONZ XRTM image-processing engine boasts class-leading speed performance, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.
High sensitivity, wide dynamic range
The full-frame 10.2-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. Capture usable images in near total darkness with an impressive ISO expanded range up to 409600. The dynamic range is an impressively wide 15+ stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.
4K High Frame Rate 120fps recording
Full-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting, for impressive creative scope.
Acclaimed cinematic colour with S-Cinetone™
The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities.
Preset and User 3D LUT compatibility with Scene File
The Scene File function provides powerful colour interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks or for specific monitoring or colour-space transforms.
10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required)[2] Instant high-quality image (colour grading not required)
S-Log3 for better reproduction of gradations
S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. Two colour gamut settings (S-Gamut3, and S-Gamut3.Cine) make it easier to match the colours of footage shot with Sony's Cinema Line Cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient when used along with other pro cameras.
Recording movies with 10-bit depth and 4:2:2 colour sampling
The FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 colour sampling with All-Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.
A choice of battery types for different applications
The FX6 is compatible with BP-U series battery packs. The BP-U35, BP-U70, BP-U100, or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make most of the camera’s mobility when it is to be used handheld. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows charge level to be checked even when the battery is not connected to the camera.
All-Intra internal recording
In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures
16-bit RAW data output
Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 120 / 100 / 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates.
Proxy recording for more efficient editing workflow
When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1980x1080 9Mbps MP4 wrapper).
Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customisable button.
Real-time Eye AF and Face Detection AF
For reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting, powerful Real-time Eye AF and Face Detection AF are built in. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition.
Reliable durability and weather resistance in tough situations
In response to pro opinions, enhanced sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments.
Lens-ring AF subject selection
When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked.
Sony’s powerful electronic Variable ND Filter built in
The revolutionary electronic Variable ND Filter controls the opacity of the neutral filter seamlessly from 1/4 to 1/128ND to achieve unmatched creative control and fluidity. Unique to Sony, it can manually or automatically adjust exposure without affecting the depth of field or shutter angle, letting you achieve perfect exposure even moving between different environments such as from indoors to out.
Magnesium alloy body achieves high durability with light weight
To perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimum weight in order to maximise mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses.
Innovative heat dissipation to prevent thermal shut down
To ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates, the FX6 features an innovative heat dissipation structure. A complete redesign of the chassis structure assessed the placement of internal heatsinks and the entire airflow structure, from louvers to circuit board layout. When required, a silent fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
High-definition 2.76 million-dot flexible LCD touch panel
The 3.5-size LCD panel (1280 x 720 pixels) is mounted on an extended pedestal, and adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch panel support, it also provides intuitive control for many camera settings, even where camera body controls are less accessible.
Smart grip
The FX6’s ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customisable buttons, plus essential zoom and start/stop control and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely-adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production.
Smart handle
Attachable to the top face of the camera, the smart handle allows stable camerawork and operation when the smart grip is difficult to hold, for example in low-angle shooting. It’s also equipped with XLR terminals, a mic holder and a digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Quarter-inch screw holes for accessory attachment are provided at seven locations on the handle for increased freedom. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself – ready to seal the body connectors if the handle is removed for rigging.
Professional connectivity
The FX6 features a range of professional interfaces including independent 12G-SDI (supports 3G/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN / TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed.
Dual XLR inputs and enhanced audio capability
The handle of the FX6 carries two independent audio inputs (easy-access XLR connectors) to connect external professional microphones. Additionally, a UWP series wireless microphone may be connected via the MI Shoe.
Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of movie data are being generated.
Data communications to support on-site workflow
Network communications features support FTP transfer for movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz / 2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® port supporting SuperSpeed USB 5Gbps (USB 3.2).
Metadata to facilitate editing with Catalyst
Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX6. The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software. [1] Shoot [2] Edit
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Highlight
Full-frame performance with high sensitivity and preset cinematic looks
GeneralE-mount
Leading-edge movie functions including Real-time Eye AF and Face Detection
Size & Weight890g (1lb15oz)
4K (QFHD) high-frame-rate 120fps recording
PowerDC 19.5V
Built-in electronic Variable ND Filter
Operation0°C to 40°C, 32°F to 104°F
Cinematic colour science with S-Cinetone
Recording Format (Video)XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
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Specifications
General
LENS MOUNTE-mount
Size & Weight
WEIGHT (MAIN UNIT ONLY) (approx.)890g (1lb15oz)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)114 x 116 x 153 mm(4 1/2 x 4 5/8 x 6 1/8 inch) (body without protrusions)
Power
POWER REQUIREMENTSDC 19.5V
POWER CONSUMPTIONApprox. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
BATTERY OPERATING TIMEApprox. 105min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
Operation
OPERATING TEMPERATURE0°C to 40°C, 32°F to 104°F
STORAGE TEMPERATURE-20°C to +60°C, -4°F to +140°F
Recording Format (Video)
XAVC INTRAXAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC LONGXAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
Recording Format (Audio)
RECORDING FORMAT (AUDIO)LPCM 24 bits, 48 kHz, 4 channels
Recording Frame Rate
XAVC INTRAXAVC-I DCI4K mode:4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P
XAVC LONGXAVC-L QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
Recording/Playback Time
XAVC INTRAXAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB):Approx. 30 minutes When using CEA-G80T (80 GB):Approx. 15 minutes
XAVC LONGXAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB):Approx. 170 minutes When using CEA-G80T (80 GB):Approx. 86 minutes
PROXY AUDIOXAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEOXAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080, 9Mbps
Camera Section
SENSOR TYPE35 mm full-frame, single-chip CMOS image sensor
PIXELSApprox. 12.9 megapixels(total), Approx. 10.2 megapixels(effective)
BUILT-IN OPTICAL FILTERSClear, linear variable ND(1/4ND to 1/128ND)
SENSITIVITYISO 800/12800 (Cine EI mode, D55 Light source)
SIGNAL-TO-NOISE RATIOdelete
SHUTTER SPEED64F to 1/8000 sec
Slow & Quick Motion
XAVC-I4096x2160
XAVC-I/L3840 x 2160
White Balance
WHITE-BALANCE MODESPreset, Memory A, Memory B (2000K-15000K)/ATW
Exposure
GAIN CONTROL-3 to 30dB (every 1dB), AGC
Gamma
GAMMA CURVESDR mode : S-Cinetone, Standard, Still, ITU709, HDR mode : HLG_Live, HLG_Natural
Latitude
Latitude15+ stop
Interface
TC INPUT/TC OUTPUTBNC, TC IN/OUT Switchable
AUDIO INPUTXLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
SDI OUTPUTSDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B)
USBUSB Type-C(x1), Multi/Micro-B (x1)
HEADPHONE OUTPUTStereo mini jack (x1)
SPEAKER OUTPUTMonaural
DC INPUTDC jack
REMOTEStereo mini-minijack (Φ2.5 mm)
HDMI OUTPUTType A (x1)
GRIPMinijack(φ3.5mm / 4pin)
Monitoring
LCD8.8 cm (3.5 type)
Built-in Microphone
BUILT-IN MICROPHONEOmni-directional monoral electret condenser microphone (body) (x1)
Media
MEDIA TYPECF express Type A / SD card (x2)
Wi-Fi/NFC
SUPPORTED FORMATIEEE 802.11 a/b/g/n/ac
FREQUENCY BAND2.4 GHz bandwidth
SECURITYWEP/WPA-PSK/WPA2-PSK
NFCNFC Forum Type 3 Tag compliant
Supplied Accessories
SUPPLIED ACCESSORIESHandle(1)
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Delivery Information
How much does delivery cost?
Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.
What is the expected delivery lead time?
Products excluding those listed under Televisions and Home Cinema:
For orders below $100, your order will be delivered within 3 working days upon order placement of products.
For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:
Time Of Order
Estimated Delivery Date
Example
Mon – Thu
Orders before 2pm
Receive it the next working day
Order on Monday 11am, receive on Tuesday
Mon – Thu
Orders after 2pm
Receive it the 3rd working day
Order on Monday 2pm, receive on Wednesday
Fri, Eve of PH
Orders before 2pm
Receive it the next working day
Order on Thursday 11am (eve of PH), receive it on Monday
Fri – Sun, Eve of PH
Orders after 2pm
Receive it on the 3rd working day
Order on Thursday 2pm (eve of PH), receive it on Tuesday
Same day delivery is only applicable for orders $100 and above during selected periods and/ or models*. Same day delivery is only applicable for orders made on Monday - Saturday, before 2pm. Please expect a phone call after placing your order for arrangement of the time of delivery.
*Same day delivery promotion period will be highlighted on homepage and/ or product page.Large products (products listed under Televisions and Home Cinema):
Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.
Some condominiums may have specific delivery time slots and/ or limit deliveries. Kindly check with your condominium management for the approved time slots for delivery. Please notify your condominium management once we have confirmed the delivery date and time.
Where do you ship to?
Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.
For more information, please refer to our Online Shopping FAQ
-
Overview
-
Overview
Visual stories with extraordinary freedom
Visual stories with extraordinary freedom
Cinema Line
Stunning bokeh and full-frame creativity
Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look.Powerful BIONZ XRTM image processor
The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness.Impressive dynamic range for limitless expression
At its base sensitivity of ISO8003, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128003 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops1 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post.Fast Hybrid AF for accuracy and tenacity
The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6271-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)2.Real-time Eye AF and Face Detection supported
Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.Auto focus area/position
For auto focus, you can set the target area among Flexible Spot, Zone, Wide and change the position of the target area quickly during shooting by simply touching the LCD monitor. Tracking AF Pointer is available in software version 5.01 or later3.Magnesium body and frame for high durability with light weight
To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility.Architecture to prevent thermal shut down
The custom ventilation system and chassis design help to prevent the thermal shut down of shooting1 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan2, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.All-Intra encoding available
As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.
[1] All-Intra (All-I) [2] Long GOP [3] Group of Pictures
16-bit RAW SDI output
For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 1203 / 1003 / 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates4.Wireless monitoring and remote control
Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.Metadata facilitates editing in Catalyst
The FX6 records five types of metadata: image stabilisation, clip flag, camera rotation, breathing compensation and distortion compensation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software9.
[1] Shoot [2] Edit
-
-
Promotions
-
Promotions
NEW MEMBER BONUS: My Sony Rewards
My Sony Rewards gives you more reason to indulge! Sign up now and instantly receive an $5 voucher to splurge at any Sony Store. What's more? My Sony Rewards Vouchers are stackable with ongoing Sony Store promotions! Find out more about My Sony Rewards and voucher’s terms and conditions here.
-
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features
-
Features
Image sensor with blazing fast readout speed
The back-illuminated full-frame Exmor RTM CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
High performance image-processing engine
The BIONZ XRTM image-processing engine boasts class-leading speed performance, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.
High sensitivity, wide dynamic range
The full-frame 10.2-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. Capture usable images in near total darkness with an impressive ISO expanded range up to 409600. The dynamic range is an impressively wide 15+ stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.
4K High Frame Rate 120fps recording
Full-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting, for impressive creative scope.
Acclaimed cinematic colour with S-Cinetone™
The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities.
Preset and User 3D LUT compatibility with Scene File
The Scene File function provides powerful colour interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks or for specific monitoring or colour-space transforms.
10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required)[2] Instant high-quality image (colour grading not required)
S-Log3 for better reproduction of gradations
S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. Two colour gamut settings (S-Gamut3, and S-Gamut3.Cine) make it easier to match the colours of footage shot with Sony's Cinema Line Cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient when used along with other pro cameras.
Recording movies with 10-bit depth and 4:2:2 colour sampling
The FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 colour sampling with All-Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.
A choice of battery types for different applications
The FX6 is compatible with BP-U series battery packs. The BP-U35, BP-U70, BP-U100, or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make most of the camera’s mobility when it is to be used handheld. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows charge level to be checked even when the battery is not connected to the camera.
All-Intra internal recording
In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures
16-bit RAW data output
Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 120 / 100 / 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates.
Proxy recording for more efficient editing workflow
When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1980x1080 9Mbps MP4 wrapper).
Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customisable button.
Real-time Eye AF and Face Detection AF
For reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting, powerful Real-time Eye AF and Face Detection AF are built in. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition.
Reliable durability and weather resistance in tough situations
In response to pro opinions, enhanced sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments.
Lens-ring AF subject selection
When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked.
Sony’s powerful electronic Variable ND Filter built in
The revolutionary electronic Variable ND Filter controls the opacity of the neutral filter seamlessly from 1/4 to 1/128ND to achieve unmatched creative control and fluidity. Unique to Sony, it can manually or automatically adjust exposure without affecting the depth of field or shutter angle, letting you achieve perfect exposure even moving between different environments such as from indoors to out.
Magnesium alloy body achieves high durability with light weight
To perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimum weight in order to maximise mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses.
Innovative heat dissipation to prevent thermal shut down
To ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates, the FX6 features an innovative heat dissipation structure. A complete redesign of the chassis structure assessed the placement of internal heatsinks and the entire airflow structure, from louvers to circuit board layout. When required, a silent fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
High-definition 2.76 million-dot flexible LCD touch panel
The 3.5-size LCD panel (1280 x 720 pixels) is mounted on an extended pedestal, and adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch panel support, it also provides intuitive control for many camera settings, even where camera body controls are less accessible.
Smart grip
The FX6’s ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customisable buttons, plus essential zoom and start/stop control and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely-adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production.
Smart handle
Attachable to the top face of the camera, the smart handle allows stable camerawork and operation when the smart grip is difficult to hold, for example in low-angle shooting. It’s also equipped with XLR terminals, a mic holder and a digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Quarter-inch screw holes for accessory attachment are provided at seven locations on the handle for increased freedom. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself – ready to seal the body connectors if the handle is removed for rigging.
Professional connectivity
The FX6 features a range of professional interfaces including independent 12G-SDI (supports 3G/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN / TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed.
Dual XLR inputs and enhanced audio capability
The handle of the FX6 carries two independent audio inputs (easy-access XLR connectors) to connect external professional microphones. Additionally, a UWP series wireless microphone may be connected via the MI Shoe.
Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of movie data are being generated.
Data communications to support on-site workflow
Network communications features support FTP transfer for movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz / 2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® port supporting SuperSpeed USB 5Gbps (USB 3.2).
Metadata to facilitate editing with Catalyst
Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX6. The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software. [1] Shoot [2] Edit
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Full-frame performance with high sensitivity and preset cinematic looks
GeneralE-mount
Leading-edge movie functions including Real-time Eye AF and Face Detection
Size & Weight890g (1lb15oz)
4K (QFHD) high-frame-rate 120fps recording
PowerDC 19.5V
Built-in electronic Variable ND Filter
Operation0°C to 40°C, 32°F to 104°F
Cinematic colour science with S-Cinetone
Recording Format (Video)XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
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specifications
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Specifications
General
LENS MOUNTE-mount
Size & Weight
WEIGHT (MAIN UNIT ONLY) (approx.)890g (1lb15oz)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)114 x 116 x 153 mm(4 1/2 x 4 5/8 x 6 1/8 inch) (body without protrusions)
Power
POWER REQUIREMENTSDC 19.5V
POWER CONSUMPTIONApprox. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
BATTERY OPERATING TIMEApprox. 105min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
Operation
OPERATING TEMPERATURE0°C to 40°C, 32°F to 104°F
STORAGE TEMPERATURE-20°C to +60°C, -4°F to +140°F
Recording Format (Video)
XAVC INTRAXAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC LONGXAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
Recording Format (Audio)
RECORDING FORMAT (AUDIO)LPCM 24 bits, 48 kHz, 4 channels
Recording Frame Rate
XAVC INTRAXAVC-I DCI4K mode:4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P
XAVC LONGXAVC-L QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
Recording/Playback Time
XAVC INTRAXAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB):Approx. 30 minutes When using CEA-G80T (80 GB):Approx. 15 minutes
XAVC LONGXAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB):Approx. 170 minutes When using CEA-G80T (80 GB):Approx. 86 minutes
PROXY AUDIOXAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEOXAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080, 9Mbps
Camera Section
SENSOR TYPE35 mm full-frame, single-chip CMOS image sensor
PIXELSApprox. 12.9 megapixels(total), Approx. 10.2 megapixels(effective)
BUILT-IN OPTICAL FILTERSClear, linear variable ND(1/4ND to 1/128ND)
SENSITIVITYISO 800/12800 (Cine EI mode, D55 Light source)
SIGNAL-TO-NOISE RATIOdelete
SHUTTER SPEED64F to 1/8000 sec
Slow & Quick Motion
XAVC-I4096x2160
XAVC-I/L3840 x 2160
White Balance
WHITE-BALANCE MODESPreset, Memory A, Memory B (2000K-15000K)/ATW
Exposure
GAIN CONTROL-3 to 30dB (every 1dB), AGC
Gamma
GAMMA CURVESDR mode : S-Cinetone, Standard, Still, ITU709, HDR mode : HLG_Live, HLG_Natural
Latitude
Latitude15+ stop
Interface
TC INPUT/TC OUTPUTBNC, TC IN/OUT Switchable
AUDIO INPUTXLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
SDI OUTPUTSDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B)
USBUSB Type-C(x1), Multi/Micro-B (x1)
HEADPHONE OUTPUTStereo mini jack (x1)
SPEAKER OUTPUTMonaural
DC INPUTDC jack
REMOTEStereo mini-minijack (Φ2.5 mm)
HDMI OUTPUTType A (x1)
GRIPMinijack(φ3.5mm / 4pin)
Monitoring
LCD8.8 cm (3.5 type)
Built-in Microphone
BUILT-IN MICROPHONEOmni-directional monoral electret condenser microphone (body) (x1)
Media
MEDIA TYPECF express Type A / SD card (x2)
Wi-Fi/NFC
SUPPORTED FORMATIEEE 802.11 a/b/g/n/ac
FREQUENCY BAND2.4 GHz bandwidth
SECURITYWEP/WPA-PSK/WPA2-PSK
NFCNFC Forum Type 3 Tag compliant
Supplied Accessories
SUPPLIED ACCESSORIESHandle(1)
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Reviews
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Reviews
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Delivery Information
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Delivery Information
How much does delivery cost?
Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.
What is the expected delivery lead time?
Products excluding those listed under Televisions and Home Cinema:
For orders below $100, your order will be delivered within 3 working days upon order placement of products.
For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:
Time Of Order
Estimated Delivery Date
Example
Mon – Thu
Orders before 2pm
Receive it the next working day
Order on Monday 11am, receive on Tuesday
Mon – Thu
Orders after 2pm
Receive it the 3rd working day
Order on Monday 2pm, receive on Wednesday
Fri, Eve of PH
Orders before 2pm
Receive it the next working day
Order on Thursday 11am (eve of PH), receive it on Monday
Fri – Sun, Eve of PH
Orders after 2pm
Receive it on the 3rd working day
Order on Thursday 2pm (eve of PH), receive it on Tuesday
Same day delivery is only applicable for orders $100 and above during selected periods and/ or models*. Same day delivery is only applicable for orders made on Monday - Saturday, before 2pm. Please expect a phone call after placing your order for arrangement of the time of delivery.
*Same day delivery promotion period will be highlighted on homepage and/ or product page.Large products (products listed under Televisions and Home Cinema):
Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.
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Where do you ship to?
Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.
For more information, please refer to our Online Shopping FAQ
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