[Backorder] Alpha 1 II Full-frame Camera - Shipping To Be Confirmed

Model: ILCE-1M2
$8,999.00
1

1. Prices indicated refer to Suggested Retail Price which includes GST and may change from time to time without prior notice and/or may vary for the same product with different colours.

* For orders placed before 2pm on Monday - Thursday excluding eve of public holidays. Next day delivery may not be applicable for products listed under Televisions and Home Cinema. Please expect a phone call after placing your order for arrangement of the date of delivery. For more information, please refer to our Online Shopping FAQ

*Services availability depends on region. A part or whole of software/services installed into or accessible through the product may be changed, discontinued, removed, suspended, or terminated without notice.

Gifts: Apply 'PWP-EB-CEAG160T' for 64% off CEA-G160T 1-year Premium Care - Total 27 months warranty (worth $399)* 3-months Capture One All-In-One subscription (worth $140)* *upon warranty registration only *valid during launch promotion period only (22nd Nov-6th Dec 2024)
  • Overview
    *** Backorder Notice ***
    Due to overwhelming demand, the Alpha 1 II Full-frame Camera is currently on backorder. Orders will be fulfilled as soon as new stock becomes available.


    Get Up to $560 Cashback on Sony Alpha Lenses.

    Find out more

    Launch Promotion Free Gifts Redemption Steps

    1. Purchase Alpha 1 II at Sony Stores (excluding marketplaces) from 22 November 2024 - 6 December 2024.
    2. Warranty will be automatically registered 8 days after delivery of product. 
    3. A Sony Authorised Confirmation Email for the Free Gifts (1-year Free Premium Care and 3-months Capture One All-In-One subscription) will be sent to the registered email address by end of December 2024.
    4. Free Gifts are limited to one per product, non-transferable, and cannot be exchanged for cash.
    5. Sony Singapore reserves the right to modify or end this promotion at any time.

     

    Terms & Conditions

    1. Sony is extending complimentary free gifts (1-year Free Premium Care (worth $399) and 3-months Capture One All-In-One subscription (worth $140)) to customers who purchase and successfully register their warranty online for selected model ILCE-1M2 (the “Product(s)”) as indicated on the respective product page.

    2. Promotion is only valid from 22 November 2024 - 6 December 2024 (inclusive of both dates).

    3. All promotions are only applicable to purchases made with authorised dealers in Singapore. For the list of authorised dealers, please refer to https://www.sony.com.sg/section/retailshops.

    4. In order to qualify for the complimentary free gifts, customers are required to register their warranty online for their Product(s) within 8 days from date of receipt of product. No extensions will be granted. Terms and Conditions for My Sony registration apply. 

    5. Customers who are under the Auto Warranty service would have their warranty successfully registered in their account within 8 days upon date of collection. 

    6. Customer will thereafter receive a Sony Authorised Confirmation Email at their registered email address, for the redemption of their complimentary gift by end of December 2024.

    7. If customers do not receive the Sony Authorised Confirmation Email by end of December 2024, please contact our Customer Contact Centre during operating hours (Monday – Friday, 1000hrs - 1700hrs excluding Public Holidays). Queries on this issue after 2 January 2025 will not be entertained.

    8. Sony is not responsible for undelivered, misdirected (due to incorrect email address) and/ or loss of the Sony Authorised Confirmation Email. Requests for the replacement of the Sony Authorised Confirmation Email will not be entertained.

    9. Sony reserves the right to replace the free gift with another item of similar value as determined by Sony in its sole discretion.

    10. The free gift is not exchangeable for cash or credit.

    12. The original receipt of purchase must be retained and presented upon request by Sony for verification purposes.

    13. By registering the product online, you agree to be bound by these Promotion Terms & Conditions as well as the standard Terms & Conditions.

    14. Sony Electronics (Singapore) Pte Ltd reserves the right to, at any time, change or modify these Promotion Terms & Conditions at its sole discretion.


     

     

    Another leap at the top

    The α1 II gives users everything they need to achieve a higher capture success rate and more, including 50MP high resolution, AI-based subject recognition AF, high-speed continuous shooting, and an advanced workflow from capture to delivery that provides professionals with unrivalled efficiency and freedom.

     

    Illustration of Exmor RS™ image sensor, Bionz XR™ image processing engine and AI processing unit

    A fusion of leading technologies delivers overwhelming performance

    The massive volume of data from the approximately 50.1 effective megapixel full frame Exmor RS™ image sensor is processed in real time by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognise a wide range of subjects. These state-of-the-art technologies come together to make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF/AE tracking performance at up to 30 fps.

     

    Example image showing a close-up portrait of a woman’s face with makeup

    Extraordinary detail with approximately 50.1 effective megapixels

    Sony's extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.

     

    Example image showing a bird on a branch looking toward the camera

    Real-time Recognition AF for movies

    Real-time Recognition AF utilises advanced AI-based human pose estimation technology that recognises and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognised with AI assistance, for both movies and stills, has been expanded relative to the α1, and now includes birds in movies for example. Other subjects are acquired and tracked in real time by processing colour, pattern, and spatial data.

     

    Illustration of image stabilisation unit in camera body with three rotation axes shown in red

    Optical 5-axis image stabilisation achieves 8.5-step performance at the centre

    A high-precision image stabilisation unit, advanced gyro sensors, and optimised algorithms detect and correct camera shake, for a groundbreaking 8.5-step effect at the centre and 7.0-step at the periphery, and capture of fine details even when shooting handheld. Synchronisation with compatible lenses provides further blur control even at telephoto focal lengths.
    [1] Yaw  [2] Roll  [3] Pitch

    Illustration of image oversampling from 8k to 4k with cropping

    High-resolution 8K/4K recording for impressive realism

    4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35mm oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.

  • Promotions

    Sony Store Online Exclusive Promotions

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  • Features
    A fusion of leading technologies delivers overwhelming performance

    A fusion of leading technologies delivers overwhelming performance

    The massive volume of data from the 50.1 megapixel full-frame Exmor RS™ image sensor is processed in real time by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognise a wide range of subjects. These state-of-the-art technologies make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF/AE tracking at up to 30 fps.

    An advanced AI processing unit achieves high-level subject recognition

    An advanced AI processing unit achieves high-level subject recognition

    The α1 II features a dedicated AI processing unit that helps to recognise people more accurately based on human pose estimation, and also supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.

    Human eye recognition improved by up to approximately 30%

    Human eye recognition improved by up to approximately 30%

    Real-time REcognition AF has improved human eye recognition by approximately 30%, and its human pose estimation technology also delivers precise recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, so approaching subjects are recognised and tracked sooner. Subjects can also be tracked better across occlusions among many people.

    A wide variety of subjects accurately recognised

    A wide variety of subjects accurately recognised

    A wider variety of subjects is now recognised for stills and movies, with a new [Auto] mode letting the camera select. Recognition of animals overall is improved by approximately 30%, with eyes of some small animals added, and the eyes, heads and faces of animals like dogs and cats recognised. Recognition of birds is improved by 50%.

    Reliable Real-time Tracking

    Reliable Real-time Tracking

    The α1 II features AI-based Real-time Tracking. If the subject cannot be recognised for some reason, or subject recognition AF is not turned ON, Sony’s original subject recognition algorithm will process colour, pattern, and spatial data to ensure that the subject is reliably acquired and tracked. If [Touch Tracking] is engaged, touching a subject on the monitor will instantly select it for tracking.

    AF tracking response settable to match subject speed changes

    AF tracking response settable to match subject speed changes

    Fast Hybrid AF combines phase detection and contrast detection for superb speed, precision and tracking performance. 759 phase-detection points cover 92% of the image sensor. The AF tracking response for stills can now be selected from [Stable], [Standard], and [Responsive] to suit the likely subject motion, useful for example in bird photography. High AF precision is achieved right down to light levels as low as EV-4.0 in AF-S mode, with improved contrast AF response. 

    Flexible focus area settings

    Flexible focus area settings

    XL and XS focus area spot sizes are now available in addition to the existing L, M, and S. XS can be useful to avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of specified size and aspect ratio, useful in situations like a track event where athletes are lined up side-by-side and you want to focus on the leading runner.

    High-speed continuous shooting at full 50.1 MP resolution

    High-speed continuous shooting at full 50.1 MP resolution

    High-speed continuous shooting at up to 30 fps with full AF/AE tracking is possible at a stunning 50.1 MP resolution, with up to 120 AF/AE calculations per second on the data from the image sensor. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.

    Pre-Capture and Continuous Shooting Speed Boost

    Pre-Capture and Continuous Shooting Speed Boost

    Pre-capture retroactively captures moments that occurred before the shutter was released, without compromising resolution, even when shooting continuously at up to 30 fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.

    Enhanced high-resolution burst stamina

    Enhanced high-resolution burst stamina

    A large buffer memory and increased overall system speed allow continuous shooting at full resolution. Up to 159 JPEG images or 153 compressed RAW images can be captured in one continuous 30 fps burst. Up to 400 JPEG images can be captured in one 20 fps burst. This can be a huge confidence-booster when timing is critical for sports, wildlife, and other moving subjects.

    Selectable release time lag

    Selectable release time lag

    Selectable release time lag modes are available via the [Release Lag] / [Start Display] menu. With blackout occurring on only the first image in a continuous burst, [Fastest Release/On] provides the shortest possible release time lag, while [Stable Release/On] minimises variations in release time lag making it easier to release the shutter at the intended moment. The default [Auto/Off] setting gives no blackout when shooting is started.

    Stunning resolution with 50.1 megapixels

    Stunning resolution with 50.1 megapixels

    Sony’s extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.

    Selectable RAW image size and quality

    Selectable RAW image size and quality

    Compressed, Uncompressed, and high-compression Lossless Compressed RAW still images are provided. Compressed RAW images can be shot continuously at up to 30 fps. Three Lossless Compressed RAW image sizes can be selected to suit the application: L, M, and S. Lossless Compressed RAW, JPEG, and HEIF images in M and S size have the same number of pixels whether shot in the full-frame or APS-C mode, making it possible to seamlessly switch modes while maintaining the same image resolution. JPEG and RAW sizes can be freely mixed and matched to meet the needs of the application.

    High sensitivity, low noise, and wide dynamic range

    High sensitivity, low noise, and wide dynamic range

    Feedback from professionals has been taken into account to create noise reduction that is highly effective without sacrificing image detail, so users can shoot clear images of indoor sports at mid to high sensitivity without hesitation. Dynamic range at lower sensitivities is an impressively wide 15 stops for smooth, realistic gradations.  [1] α1,  ISO 6400, 1/1600s, F2.8  [2] α1 II,  ISO 6400, 1/1600s, F2.8

    Consistently accurate exposure and colour

    Consistently accurate exposure and colour

    Exposure and colour reproduction are notably improved compared to the α1. The AE algorithm detects faces and optimises exposure for stills and movies. Exposure stability has been improved by approximately 20%, even when the face is backlit and dark, or over-illuminated in direct sunlight, or not facing the camera. Working with a “Visible Light and IR Sensor” on the front of the body, the advanced AI processing unit helps to achieve accurate white balance even where the subject is in shade.

    Optical 5-axis image stabilisation achieves 8.5-step performance at the centre

    Optical 5-axis image stabilisation achieves 8.5-step performance at the centre

    A high-precision image stabilisation unit, advanced gyro sensors, and leading-edge algorithms detect and correct camera shake, achieving a groundbreaking up to 8.5-step effect at the centre and 7.0-step at the periphery, and transforming handheld shooting with precision down to the single-pixel level and the finest subject details. With compatible lenses that include built-in stabilisation, improved body-lens synchronisation provides effective blur control even at otherwise problematic telephoto focal lengths. [1] Yaw [2] Roll [3] Pitch

    Composite RAW modes for lower noise and higher resolution

    Composite RAW modes for lower noise and higher resolution

    The NR Shooting Settings mode captures between 4 and 32 RAW images which can then be composited using Sony’s Imaging Edge Desktop™ application to create a full-resolution image with very low noise even at mid to high sensitivities. Pixel Shift Multi Shooting captures 4 or 16 pixel-shifted images that are later composited with the same PC application to achieve overwhelming resolution in a single image.  [1] Single RAW image, ISO 12800  [2] NR composite RAW (32 images), ISO 12800

    Real-time Recognition AF for movies

    Real-time Recognition AF for movies

    Real-time Recognition AF utilises advanced AI-based human pose estimation technology that recognises and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognised with AI assistance, for both movies and stills, has been expanded relative to the α1, and now includes birds in movies for example. Other subjects are acquired and tracked in real time by processing colour, pattern, and spatial data.

    High-resolution 8K/4K recording for impressive realism

    High-resolution 8K/4K recording for impressive realism

    4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35mm size oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.

    High frame rate recording at up to 120p

    High frame rate recording at up to 120p

    4K can be recorded at up to 120p right in the camera. 4K footage can be played back in up to 5x slow motion. The Slow & Quick Motion (S&Q) mode makes it convenient to play recorded footage back at slow or high speed in the camera. Full HD footage recorded at 240 fps offers even greater range: up to 10x slow motion (24p) to create impressive sports movies, for example. The frame rate setup menu allows intuitive selection of frame rates.

    Better S-Log matching with Cinema Line cameras

    Better S-Log matching with Cinema Line cameras

    The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey). Minimum ISO when shooting S-Log is 800, while the expanded ISO range is 200 - 640. Compared to the α1, detail reproduction has been improved and footage can be more easily matched with the output from digital cinema cameras that also offer S-Log3 such as Sony’s VENICE and BURANO. The ability to import User LUTs into the camera makes it easy to get an idea of the final post-edit look right in the camera.

    Dynamic active Mode stabilisation

    Dynamic active Mode stabilisation

    In addition to standard mode, Active Mode combines a precision image stabilisation unit and gyro sensor, while Dynamic active Mode adds electronic stabilisation for an additional approximately 30% effect, enabling stable recording even when the user is jogging.

    Breathing compensation

    Breathing compensation

    Focus breathing compensation effectively reduces focus breathing when shooting movies. Sony’s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view throughout focus changes for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse/Catalyst Prepare/ Catalyst Prepare Plugin software application during post production.

    Features for smooth focusing

    Features for smooth focusing

    A range of focusing tools support intuitive and professional movie making. AF Assist for temporary switching to manual focus, focus peaking display, and AF transition speed and sensitivity settings all help the user when shooting movies. Focus Map overlays a visual depth-of-field map on the live view display. Real-time Recognition AF, Real-time Tracking, and Focus Area are now available during digital zoom and Clear Image Zoom operation.

    Auto Framing automatically adjusts composition for the subject

    Auto Framing automatically adjusts composition for the subject

    Using AI-based subject recognition technology, Auto Framing automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator. The timing at which Auto Framing begins, the size of the subject in the frame, and the tracking speed can be controlled. Auto Framing can be ideal for recording interviews, music performance, cooking, and much more.

    Framing Stabilizer automatically maintains subject position

    Framing Stabilizer automatically maintains subject position

    Framing Stabilizer automatically maintains subject location within the frame when the camera operator is moving alongside the subject or in other situations where maintaining consistent framing can be difficult. AI-based subject recognition and Dynamic active image stabilisation maintain the composition and achieve stable imagery even when shooting handheld. [Center] mode automatically keeps the subject in the centre of the frame, while [Manual] mode lets subject position be freely specified.

    Flexible LCD monitor positioning

    Flexible LCD monitor positioning

    The 4-axis multi-angle monitor can be positioned for optimal viewing in horizontal or vertical orientation. The extended monitor can be tilted upward by approximately 98° and downward by approximately 40° to the camera back, and sideways by a full 180°. The hinge is unobtrusive but robust. The large 3.2 type 2.1 million dot display panel is touch sensitive, has a wide colour gamut, and is designed for clear outdoor viewing.

    High-performance electronic viewfinder

    High-performance electronic viewfinder

    A 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers clear viewing. Magnification is 0.90x with a 41° FOV for a clear, wide view, the updated structure giving a 25 mm high eyepoint. Time lag has been reduced for more stable framing. The finder frame rate for shooting stills can be set to [Standard] (60 fps), [High] (120 fps), or [Higher] (240 fps). Overall image quality has been significantly improved and aberration minimised.

    Standard and deep viewfinder eyecups provided

    Standard and deep viewfinder eyecups provided

    The α1 II is supplied with two viewfinder eyecups: the standard FDA-EP19 type and a deep FDA-EP21 type that the user can choose according to ambient conditions or personal preference. The new FPA-EP21 design is deeper than the standard FDA-EP19 type, enhancing viewing clarity by effectively blocking extraneous light that can enter between the eye and eyecup in bright shooting environments. The soft, close-fitting material and design enhance viewing comfort.

    Advanced grip hold and ease of use

    Advanced grip hold and ease of use

    The improved grip ergonomics ensure comfortable and stable shooting over long sessions with a shape that allows firm holding in the palm of the hand. A C5 custom button has also been added, and the grip design is replicated for prolonged vertical shooting with the optional VG-C5 Vertical Grip, which additionally offers extended battery life over the previous model.

    Supplied charger charges two NP-FZ100 batteries in 155 minutes

    Supplied charger charges two NP-FZ100 batteries in 155 minutes

    The supplied BC-ZD1 quick charger can simultaneously charge two NP-FZ100 batteries in approximately 155 minutes. when used with an AC adaptor providing USB PD (Power Delivery) power. This charger is ideal for charging two batteries for use at events or in other applications that require continuous operation over extended periods of time.

    Dual slots support CFexpress Type A memory cards

    Dual slots support CFexpress Type A memory cards

    The α1 II has two media slots that both support CFexpress Type A memory cards as well as UHS-I and UHS-II SD cards. CFexpress Type A cards are ideal for recording the huge volume of data produced by the image sensor, allowing 30 fps continuous still shooting and high-bitrate 8K and 4K movie recording. The same data can be simultaneously recorded to both cards, or files can be separated by type and size. A “relay” mode automatically switches recording to the second card when the first becomes full.

    Image playback functions that support immediate-delivery workflows

    Image playback functions that support immediate-delivery workflows

    Multiple media playback lets you seamlessly display all images on two memory cards by selecting all slots as the display target during playback. Group display of images such as those shot continuously or with interval shooting is also supported. And if set in advance, a rating can automatically be applied to the first image in continuous burst or Pre-Capture groups, or a divider image inserted before the first image in groups, enabling quick scrolling through and location of groups using the custom dial during playback.

    Dedicated microphone for clear voice memos

    Dedicated microphone for clear voice memos

    A dedicated voice memo microphone is built into the rear panel, making it easy to record clear voice memos even in noisy environments. These can be transferred to an FTP server along with the corresponding images, allowing the photographer to communicate effectively to the editor, or the Transfer & Tagging mobile application can be used to convert the voice memos to text prior to transfer. Either approach can significantly speed up the delivery workflow.

    IPTC metadata embedding and presets

    IPTC metadata embedding and presets

    IPTC (International Press Telecommunications Council) metadata can be added to still images. IPTC information can be written to IPTC metadata presets and loaded into the camera via a memory card. The α1 II can internally store up to 20 presets that can then be quickly selected when needed. This can be extremely useful at multi-sports events, for example, where different IPTC information is required for different competitions. The appropriate preset can be easily selected in-camera.

    Efficient data transfer by high-speed wired LAN and wireless LAN

    Efficient data transfer by high-speed wired LAN and wireless LAN

    Still image and movie files can be directly transferred from the camera to a specified remote FTP server via wired and wireless LAN. 2.5GBASE-T wired LAN connectivity allowing data transfer at up to 2.5 Gbps is now provided for stable, high-speed transfer of still and movie data from the camera to an FTP server and stable communication for PC Remote shooting. Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) with 2x2 MIMO support allows high-speed 5 GHz wireless communication with maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.

    USB Type-C ® connector supports SuperSpeed USB 10 Gbps (USB 3.2)

    USB Type-C ® connector supports SuperSpeed USB 10 Gbps (USB 3.2)

    A USB Type-C ® connector that supports fast SuperSpeed USB 10 Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files.

    Tools that support professional workflow

    Tools that support professional workflow

    The α1 II is compatible with Transfer & Tagging and Remote Camera Tools. Transfer & Tagging is a smartphone application that can speed up still-image workflows for professional sports and news photographers, allowing background FTP transfers to smartphone as well as fast tag/caption attachment, while Remote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN.

    Creators' Cloud platform

    Creators' Cloud platform

    Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

    Sony's goal: zero environmental footprint

    Sony's goal: zero environmental footprint

    Sony's environmental plan 'Road to Zero' is designed to reduce the Group's environmental footprint to zero by 2050. Avoiding non-renewable resources, we actively use recycled plastics in cameras, including our durable, high-quality SORPLAS™ material. Sony is also moving away from plastic packaging. The α1 II is the first high-end α-series product to be shipped in a plastic-free package made of Sony’s “Original Blended Material” that can be recycled as paper.

    Greater accessibility for all users

    Greater accessibility for all users

    Accessibility features such as Screen Reader that reads menu screen text aloud, Enlarged Menu Display, and others make it easier for everyone to enjoy shooting and playback using the α1 II. Furthermore, advanced features like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.

  • Highlight

    50.1 megapixel 35mm full-frame stacked Exmor RS™ CMOS image sensor

    General

    Interchangeable lens digital camera

    BIONZ XR image processing engine with blackout-free viewing and full AF/AE tracking at up to 30 fps

    Camera Section

    35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor

    Real-time Recognition AF recognises a wide variety of subject types for both stills and movies

    Image Sensor

    Yes

    Optical 5-axis image stabilisation achieves 8.5-step central / 7.0-step peripheral effect

    Recording (still images)

    JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

    Movie recording capability at up to 8K 30p and 4K 120p

    Recording (movie)

    XAVC S: MPEG-4 AVC/H.264,XAVC HS: MPEG-H HEVC/H.265

  • Specifications

    The α1 II is the second generation of Sony’s flagship α1 mirrorless interchangeable-lens camera. With enhanced AI-based subject recognition, and the high resolution and speed of the original α1, even higher capture success rates are now yours, realising unrivalled efficiency and freedom for professional workflows.

    General

    CAMERA TYPE

    Interchangeable lens digital camera

    Lens Mount

    E-mount

    Camera Section

    SENSOR TYPE

    35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor

    NUMBER OF PIXELS (Total)

    Approx. 50.5 megapixels

    NUMBER OF PIXELS (EFFECTIVE)

    Still images: Approx. 50.1 megapixels max.,Movies: Approx. 42.0 megapixels max.

    COLOR TEMPERATURE RANGE

    2500 K - 9900 K

    Image Sensor

    Anti-Dust System

    Yes

    Recording (still images)

    RECORDING FORMAT

    JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

    IMAGE SIZE (PIXELS) [3:2]

    35mm full frame L: 8640 x 5760 (50 M), M: 5616 x 3744 (21 M), S: 4320 x 2880 (12 M)

    Recording (movie)

    VIDEO COMPRESSION

    XAVC S: MPEG-4 AVC/H.264,XAVC HS: MPEG-H HEVC/H.265

    AUDIO RECORDING FORMAT

    LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)

    Recording System (movie)

    MOVIE RECORDING FORMAT (XAVC HS 8K)

    7680 x 4320 (4:2:0, 10bit) (Approx.): 29.97p (400 Mbps / 200 Mbps), 25p (400 Mbps / 200 Mbps), 23.98p (400 Mbps / 200 Mbps), 7680 x 4320 (4:2:2, 10bit) (Approx.): 29.94p (520 Mbps / 260 Mbps), 25p (520 Mbps / 260 Mbps), 23.98p (520 Mbps / 260 Mbps)

    MOVIE RECORDING FORMAT (XAVC HS 4K)

    3840 x 2160 (4:2:0, 10bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:2, 10bit) (approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps / 100 Mbps), 50p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps)

    MOVIE RECORDING FORMAT (XAVC S 4K)

    3840 x 2160 (4:2:0, 8bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps), 50p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 25p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps), 50p (200 Mbps), 29.97p (140 Mbps), 25p (140 Mbps), 23.98p (100 Mbps)

    MOVIE RECORDING FORMAT (XAVC S HD)

    1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps), 100p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 50p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 25p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (approx.): 59.94p (50 Mbps), 50p (50 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.98p (50 Mbps)

    MOVIE RECORDING FORMAT (XAVC S-I 4K)

    3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 50p (500 Mbps), 29.97p (300 Mbps), 25p (250 Mbps), 23.98p (240 Mbps)

    MOVIE RECORDING FORMAT (XAVC S-I HD)

    1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 50p (185 Mbps), 29.97p (111 Mbps), 25p (93 Mbps), 23.98p (89 Mbps)

    Movie Functions

    SLOW & QUICK MOTION (SHOOTING FRAME RATE)

    Yes

    PROXY RECORDING

    Yes

    TC / UB

    Yes

    RAW OUTPUT

    Yes (HDMI)

    Recording System

    Memory Card Slot

    SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card

    Focus System

    FOCUS TYPE

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    FOCUS POINT

    Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)

    FOCUS SENSITIVITY RANGE

    EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached in AF-S)

    RECOGNITION TARGET (STILL IMAGES)

    Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

    RECOGNITION TARGET (MOVIES)

    Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

    OTHER FEATURES

    AF Level for Crossing (Still), AF Track for Speed Change (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)

    AF ILLUMINATOR

    Yes (with Built-in LED type)

    Exposure Control

    METERING TYPE

    1200-zone evaluative metering

    METERING SENSITIVITY

    EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

    EXPOSURE COMPENSATION

    +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)

    ISO SENSITIVITY

    Still images: ISO 100 - 32000 (expandable to ISO 50 - 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit), Movies: ISO 100 - 32000 equivalent, AUTO (ISO 100 - 12800, selectable lower limit and upper limit)

    ANTI-FLICKER SHOOT.

    Yes

    Viewfinder

    TYPE

    1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)

    Number of Dots

    9 437 184 dots

    Magnification

    Approx. 0.90x (with 50 mm lens at infinity, -1 m-1)

    DIOPTRE

    -4.0 to +3.0 m-1

    Eye Point

    Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at -1 m-1 (CIPA standard)

    Finder Frame Rate Selection

    NTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fps

    LCD Screen

    Monitor Type

    8.0 cm (3.2-type) type TFT

    TOUCH PANEL

    Yes

    Number of Dots

    2 095 104 dots

    Adjustable Angle

    Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °

    Other Features

    OTHER FEATURES

    Soft Skin Effect, Creative Look, Custom function, Picture Profile, Time-lapse, Auto Framing, Pre-Capture, Continuous Shooting Speed Boost, NR Shooting, Framing Stabilizer

    CLEAR IMAGE ZOOM (STILL IMAGES)

    Approx. 2x

    CLEAR IMAGE ZOOM (MOVIES)

    Approx. 1.5x (4K), Approx. 2x (HD)

    Shutter

    Shutter Type

    Auto / Mechanical shutter / Electronic shutter

    Shutter Speed

    Still images (Electronic shutter): 1/32000 to 30 s, Still images (Mechanical shutter): 1/8000 to 30 s, Bulb, Movies: 1/8000 to 1 s

    Flash Sync. Speed

    1/400 s (35mm full frame), 1/500 s (APS-C)

    Electronic Front Curtain Shutter

    Yes

    Image Stabilization

    Type

    Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)

    Compensation Effect

    Center 8.5 stops and Periphery 7.0 stops (based on CIPA2024 standard. Pitch/Yaw/Roll compensation. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)

    MODE

    Still images: On / Off, Movie: Dynamic active / Active / Standard / Off

    Flash

    TYPE

    -

    CONTROL

    Pre-flash TTL

    FLASH COMPENSATION

    +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

    EXTERNAL FLASH COMPATIBILITY

    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

    Drive

    Continuous Drive Speed (approx. max.)

    AUTO/Electronic shutter: Hi+: 30 fps, Mechanical shutter: Hi+: 10 fps

    NO. OF FRAME RECORDABLE (APPROX.)

    JPEG Extra fine L: 190 frames, JPEG Fine L: 400 frames, JPEG Extra fine L: 400 frames, RAW: 240 frames, RAW & JPEG: 200 frames, RAW (Uncompressed): 84 frames, RAW (Uncompressed) & JPEG: 80 frames, RAW (Lossless Compressed): 100 frames, RAW (Lossless Compressed) & JPEG: 86 frames

    Pixel Shift Multi Shooting

    Yes (4 shots / 16 shots)

    Playback

    MODES

    Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture

    Accessibility

    FUNCTIONS

    Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Multi-angle LCD screen, Custom function, Enlarge Menu Screen

    Interface

    PC INTERFACE

    Mass-storage / MTP

    MULTI / MICRO USB TERMINAL

    Yes

    USB TYPE-C TERMINAL

    Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)

    NFC

    -

    Sync Terminal

    Yes

    WIRELESS LAN (BUILT-IN)

    Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))

    Bluetooth

    Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))

    HDMI OUTPUT

    HDMI connector (Type-A), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 7680 x 4320 (29.97p / 25p / 23.98p), YCbCr 4:2:0 8bit / RGB 8Bit, 4332x2446 (59.94p / 50p / 29.97p / 25p / 23.98p), Raw 16bit

    Multi Interface Shoe

    Yes (with Digital Audio Interface)

    Mic Terminal

    Yes (3.5 mm Stereo minijack)

    Headphone Terminal

    Yes (3.5 mm Stereo minijack)

    REMOTE CONTROL (WIRELESS)

    Yes (Bluetooth remote control)

    LAN Terminal

    Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)

    FUNCTIONS

    FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi), Send to smartphone, Remote control via smartphone, PC Remote

    USB Streaming

    VIDEO DATA FORMAT

    MJPEG, YUV420

    VIDEO RESOLUTION

    3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)

    AUDIO DATA FORMAT

    LPCM 2ch (16bit 48 kHz)

    Network streaming

    VIDEO DATA FORMAT

    MPEG-4 AVC/H.264, MPEG-H HEVC/H.265

    VIDEO RESOLUTION

    3840 x 2160 (30p), 3840 x 2160 (25p), 2560 x 1440 (30p), 2560 x 1440 (25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p / 60p), 1280 x 720 (25p / 50p)

    AUDIO DATA FORMAT

    AAC-LC 2ch (16bit 48 kHz)

    PROTOCOL

    RTMP, RTMPS, SRT

    Audio

    Microphone

    Built-in: stereo, Built-in: voice memo

    Speaker

    Built-in: monaural

    Lens Compensation

    SETTING

    Shading, Chromatic Aberration, Distortion, Breathing (Movie)

    Power

    SUPPLIED BATTERY

    One rechargeable battery pack NP-FZ100

    Battery Life (Still Images)

    Approx. 420 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)

    Battery Life (Movie, actual recording)

    Approx. 85 min (Viewfinder) / Approx. 90 min (LCD monitor) (CIPA standard)

    Battery Life (Movie, continuous recording)

    Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard)

    Internal Battery Charge

    Yes (Available with USB Type-C Terminal. USB Power Delivery support)

    USB POWER SUPPLY

    Yes (Available with USB Type-C Terminal. USB Power Delivery support)

    Power consumption with Viewfinder

    Still images: Approx. 4.7 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.0 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Power consumption with LCD screen

    Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Size & Weight

    WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)

    Approx. 743 g / Approx. 1 lb 10.3 oz

    BODY ONLY

    Approx. 658 g / Approx. 1 lb 7.3 oz

    Dimensions (W x H x D)

    Approx. 136.1 x 96.9 x 82.9 mm, Approx. 136.1 x 96.9 x 72.8 mm (from grip to monitor) / Approx. 5 3/8 x 3 7/8 x 3 3/8 inches, Approx. 5 3/8 x 3 7/8 x 2 7/8 inches (from grip to monitor)

    Operating temparature

    OPERATING TEMPERATURE

    0 - 40 ℃ / 32 - 104 °F

    Supplied Accesory

    WHAT'S IN THE BOX

    Rechargeable Battery NP-FZ100, Battery Charger BC-ZD1, Cable Protector, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup (FDA-EP19), Eyepiece cup (FDA-EP21)

  • Delivery Information

    How much does delivery cost?

    Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

     

    What is the expected delivery lead time?

    Products excluding those listed under Televisions and Home Cinema:

    For orders below $100, your order will be delivered within 3 working days upon order placement of products.

    For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

    Time Of Order

    Estimated Delivery Date

    Example

    Mon – Thu

    Orders before 2pm

    Receive it the next working day

    Order on Monday 11am, receive on Tuesday

    Mon – Thu

    Orders after 2pm

    Receive it the 3rd working day

    Order on Monday 2pm, receive on Wednesday

    Fri, Eve of PH

    Orders before 2pm

    Receive it the next working day

    Order on Thursday 11am (eve of PH), receive it on Monday

    Fri – Sun, Eve of PH

    Orders after 2pm

    Receive it on the 3rd  working day

    Order on Thursday 2pm (eve of PH), receive it on Tuesday

     

    Same day delivery is only applicable for orders $100 and above during selected periods and/ or models*. Same day delivery is only applicable for orders made on Monday - Saturday, before 2pm. Please expect a phone call after placing your order for arrangement of the time of delivery.

    *Same day delivery promotion period will be highlighted on homepage and/ or product page.

     

    Large products (products listed under Televisions and Home Cinema):

    Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

    Some condominiums may have specific delivery time slots and/ or limit deliveries. Kindly check with your condominium management for the approved time slots for delivery. Please notify your condominium management once we have confirmed the delivery date and time.

     

    Where do you ship to?

    Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

    For more information, please refer to our Online Shopping FAQ

  • Overview
    • Overview
      *** Backorder Notice ***
      Due to overwhelming demand, the Alpha 1 II Full-frame Camera is currently on backorder. Orders will be fulfilled as soon as new stock becomes available.


      Get Up to $560 Cashback on Sony Alpha Lenses.

      Find out more

      Launch Promotion Free Gifts Redemption Steps

      1. Purchase Alpha 1 II at Sony Stores (excluding marketplaces) from 22 November 2024 - 6 December 2024.
      2. Warranty will be automatically registered 8 days after delivery of product. 
      3. A Sony Authorised Confirmation Email for the Free Gifts (1-year Free Premium Care and 3-months Capture One All-In-One subscription) will be sent to the registered email address by end of December 2024.
      4. Free Gifts are limited to one per product, non-transferable, and cannot be exchanged for cash.
      5. Sony Singapore reserves the right to modify or end this promotion at any time.

       

      Terms & Conditions

      1. Sony is extending complimentary free gifts (1-year Free Premium Care (worth $399) and 3-months Capture One All-In-One subscription (worth $140)) to customers who purchase and successfully register their warranty online for selected model ILCE-1M2 (the “Product(s)”) as indicated on the respective product page.

      2. Promotion is only valid from 22 November 2024 - 6 December 2024 (inclusive of both dates).

      3. All promotions are only applicable to purchases made with authorised dealers in Singapore. For the list of authorised dealers, please refer to https://www.sony.com.sg/section/retailshops.

      4. In order to qualify for the complimentary free gifts, customers are required to register their warranty online for their Product(s) within 8 days from date of receipt of product. No extensions will be granted. Terms and Conditions for My Sony registration apply. 

      5. Customers who are under the Auto Warranty service would have their warranty successfully registered in their account within 8 days upon date of collection. 

      6. Customer will thereafter receive a Sony Authorised Confirmation Email at their registered email address, for the redemption of their complimentary gift by end of December 2024.

      7. If customers do not receive the Sony Authorised Confirmation Email by end of December 2024, please contact our Customer Contact Centre during operating hours (Monday – Friday, 1000hrs - 1700hrs excluding Public Holidays). Queries on this issue after 2 January 2025 will not be entertained.

      8. Sony is not responsible for undelivered, misdirected (due to incorrect email address) and/ or loss of the Sony Authorised Confirmation Email. Requests for the replacement of the Sony Authorised Confirmation Email will not be entertained.

      9. Sony reserves the right to replace the free gift with another item of similar value as determined by Sony in its sole discretion.

      10. The free gift is not exchangeable for cash or credit.

      12. The original receipt of purchase must be retained and presented upon request by Sony for verification purposes.

      13. By registering the product online, you agree to be bound by these Promotion Terms & Conditions as well as the standard Terms & Conditions.

      14. Sony Electronics (Singapore) Pte Ltd reserves the right to, at any time, change or modify these Promotion Terms & Conditions at its sole discretion.


       

       

      Another leap at the top

      The α1 II gives users everything they need to achieve a higher capture success rate and more, including 50MP high resolution, AI-based subject recognition AF, high-speed continuous shooting, and an advanced workflow from capture to delivery that provides professionals with unrivalled efficiency and freedom.

       

      Illustration of Exmor RS™ image sensor, Bionz XR™ image processing engine and AI processing unit

      A fusion of leading technologies delivers overwhelming performance

      The massive volume of data from the approximately 50.1 effective megapixel full frame Exmor RS™ image sensor is processed in real time by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognise a wide range of subjects. These state-of-the-art technologies come together to make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF/AE tracking performance at up to 30 fps.

       

      Example image showing a close-up portrait of a woman’s face with makeup

      Extraordinary detail with approximately 50.1 effective megapixels

      Sony's extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.

       

      Example image showing a bird on a branch looking toward the camera

      Real-time Recognition AF for movies

      Real-time Recognition AF utilises advanced AI-based human pose estimation technology that recognises and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognised with AI assistance, for both movies and stills, has been expanded relative to the α1, and now includes birds in movies for example. Other subjects are acquired and tracked in real time by processing colour, pattern, and spatial data.

       

      Illustration of image stabilisation unit in camera body with three rotation axes shown in red

      Optical 5-axis image stabilisation achieves 8.5-step performance at the centre

      A high-precision image stabilisation unit, advanced gyro sensors, and optimised algorithms detect and correct camera shake, for a groundbreaking 8.5-step effect at the centre and 7.0-step at the periphery, and capture of fine details even when shooting handheld. Synchronisation with compatible lenses provides further blur control even at telephoto focal lengths.
      [1] Yaw  [2] Roll  [3] Pitch

      Illustration of image oversampling from 8k to 4k with cropping

      High-resolution 8K/4K recording for impressive realism

      4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35mm oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.

  • Promotions
    • Promotions

      Sony Store Online Exclusive Promotions

      Start your holiday shopping early with our storewide vouchers that will run from 7 November 2024 to 1 January 2025. Here’s how you can save:

      GACHA SURPRISE HUNT! 
      (3 - 25 December)

      Get up to additional $900 OFF with 5 HIDDEN UPSIZED Promo Codes around Sony Store Online!

      Find out more HERE!

      $40 OFF with a minimum spend of $400.

      Use code: GOTCHA40

      $20 OFF with a minimum spend of $200.

      Use code: GOTCHA20

      T&Cs apply.  

      NEW MEMBER BONUS: My Sony Rewards $8 Voucher

      My Sony Rewards gives you more reason to indulge! Sign up now and instantly receive an UPSIZED $8 voucher to splurge at any Sony Store. What's more? My Sony Rewards Vouchers are stackable with ongoing Sony Store promotions! Find out more about My Sony Rewards and voucher’s terms and conditions here.

  • features
    • Features
      A fusion of leading technologies delivers overwhelming performance

      A fusion of leading technologies delivers overwhelming performance

      The massive volume of data from the 50.1 megapixel full-frame Exmor RS™ image sensor is processed in real time by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognise a wide range of subjects. These state-of-the-art technologies make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF/AE tracking at up to 30 fps.

      An advanced AI processing unit achieves high-level subject recognition

      An advanced AI processing unit achieves high-level subject recognition

      The α1 II features a dedicated AI processing unit that helps to recognise people more accurately based on human pose estimation, and also supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.

      Human eye recognition improved by up to approximately 30%

      Human eye recognition improved by up to approximately 30%

      Real-time REcognition AF has improved human eye recognition by approximately 30%, and its human pose estimation technology also delivers precise recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, so approaching subjects are recognised and tracked sooner. Subjects can also be tracked better across occlusions among many people.

      A wide variety of subjects accurately recognised

      A wide variety of subjects accurately recognised

      A wider variety of subjects is now recognised for stills and movies, with a new [Auto] mode letting the camera select. Recognition of animals overall is improved by approximately 30%, with eyes of some small animals added, and the eyes, heads and faces of animals like dogs and cats recognised. Recognition of birds is improved by 50%.

      Reliable Real-time Tracking

      Reliable Real-time Tracking

      The α1 II features AI-based Real-time Tracking. If the subject cannot be recognised for some reason, or subject recognition AF is not turned ON, Sony’s original subject recognition algorithm will process colour, pattern, and spatial data to ensure that the subject is reliably acquired and tracked. If [Touch Tracking] is engaged, touching a subject on the monitor will instantly select it for tracking.

      AF tracking response settable to match subject speed changes

      AF tracking response settable to match subject speed changes

      Fast Hybrid AF combines phase detection and contrast detection for superb speed, precision and tracking performance. 759 phase-detection points cover 92% of the image sensor. The AF tracking response for stills can now be selected from [Stable], [Standard], and [Responsive] to suit the likely subject motion, useful for example in bird photography. High AF precision is achieved right down to light levels as low as EV-4.0 in AF-S mode, with improved contrast AF response. 

      Flexible focus area settings

      Flexible focus area settings

      XL and XS focus area spot sizes are now available in addition to the existing L, M, and S. XS can be useful to avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of specified size and aspect ratio, useful in situations like a track event where athletes are lined up side-by-side and you want to focus on the leading runner.

      High-speed continuous shooting at full 50.1 MP resolution

      High-speed continuous shooting at full 50.1 MP resolution

      High-speed continuous shooting at up to 30 fps with full AF/AE tracking is possible at a stunning 50.1 MP resolution, with up to 120 AF/AE calculations per second on the data from the image sensor. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.

      Pre-Capture and Continuous Shooting Speed Boost

      Pre-Capture and Continuous Shooting Speed Boost

      Pre-capture retroactively captures moments that occurred before the shutter was released, without compromising resolution, even when shooting continuously at up to 30 fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.

      Enhanced high-resolution burst stamina

      Enhanced high-resolution burst stamina

      A large buffer memory and increased overall system speed allow continuous shooting at full resolution. Up to 159 JPEG images or 153 compressed RAW images can be captured in one continuous 30 fps burst. Up to 400 JPEG images can be captured in one 20 fps burst. This can be a huge confidence-booster when timing is critical for sports, wildlife, and other moving subjects.

      Selectable release time lag

      Selectable release time lag

      Selectable release time lag modes are available via the [Release Lag] / [Start Display] menu. With blackout occurring on only the first image in a continuous burst, [Fastest Release/On] provides the shortest possible release time lag, while [Stable Release/On] minimises variations in release time lag making it easier to release the shutter at the intended moment. The default [Auto/Off] setting gives no blackout when shooting is started.

      Stunning resolution with 50.1 megapixels

      Stunning resolution with 50.1 megapixels

      Sony’s extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.

      Selectable RAW image size and quality

      Selectable RAW image size and quality

      Compressed, Uncompressed, and high-compression Lossless Compressed RAW still images are provided. Compressed RAW images can be shot continuously at up to 30 fps. Three Lossless Compressed RAW image sizes can be selected to suit the application: L, M, and S. Lossless Compressed RAW, JPEG, and HEIF images in M and S size have the same number of pixels whether shot in the full-frame or APS-C mode, making it possible to seamlessly switch modes while maintaining the same image resolution. JPEG and RAW sizes can be freely mixed and matched to meet the needs of the application.

      High sensitivity, low noise, and wide dynamic range

      High sensitivity, low noise, and wide dynamic range

      Feedback from professionals has been taken into account to create noise reduction that is highly effective without sacrificing image detail, so users can shoot clear images of indoor sports at mid to high sensitivity without hesitation. Dynamic range at lower sensitivities is an impressively wide 15 stops for smooth, realistic gradations.  [1] α1,  ISO 6400, 1/1600s, F2.8  [2] α1 II,  ISO 6400, 1/1600s, F2.8

      Consistently accurate exposure and colour

      Consistently accurate exposure and colour

      Exposure and colour reproduction are notably improved compared to the α1. The AE algorithm detects faces and optimises exposure for stills and movies. Exposure stability has been improved by approximately 20%, even when the face is backlit and dark, or over-illuminated in direct sunlight, or not facing the camera. Working with a “Visible Light and IR Sensor” on the front of the body, the advanced AI processing unit helps to achieve accurate white balance even where the subject is in shade.

      Optical 5-axis image stabilisation achieves 8.5-step performance at the centre

      Optical 5-axis image stabilisation achieves 8.5-step performance at the centre

      A high-precision image stabilisation unit, advanced gyro sensors, and leading-edge algorithms detect and correct camera shake, achieving a groundbreaking up to 8.5-step effect at the centre and 7.0-step at the periphery, and transforming handheld shooting with precision down to the single-pixel level and the finest subject details. With compatible lenses that include built-in stabilisation, improved body-lens synchronisation provides effective blur control even at otherwise problematic telephoto focal lengths. [1] Yaw [2] Roll [3] Pitch

      Composite RAW modes for lower noise and higher resolution

      Composite RAW modes for lower noise and higher resolution

      The NR Shooting Settings mode captures between 4 and 32 RAW images which can then be composited using Sony’s Imaging Edge Desktop™ application to create a full-resolution image with very low noise even at mid to high sensitivities. Pixel Shift Multi Shooting captures 4 or 16 pixel-shifted images that are later composited with the same PC application to achieve overwhelming resolution in a single image.  [1] Single RAW image, ISO 12800  [2] NR composite RAW (32 images), ISO 12800

      Real-time Recognition AF for movies

      Real-time Recognition AF for movies

      Real-time Recognition AF utilises advanced AI-based human pose estimation technology that recognises and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognised with AI assistance, for both movies and stills, has been expanded relative to the α1, and now includes birds in movies for example. Other subjects are acquired and tracked in real time by processing colour, pattern, and spatial data.

      High-resolution 8K/4K recording for impressive realism

      High-resolution 8K/4K recording for impressive realism

      4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35mm size oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.

      High frame rate recording at up to 120p

      High frame rate recording at up to 120p

      4K can be recorded at up to 120p right in the camera. 4K footage can be played back in up to 5x slow motion. The Slow & Quick Motion (S&Q) mode makes it convenient to play recorded footage back at slow or high speed in the camera. Full HD footage recorded at 240 fps offers even greater range: up to 10x slow motion (24p) to create impressive sports movies, for example. The frame rate setup menu allows intuitive selection of frame rates.

      Better S-Log matching with Cinema Line cameras

      Better S-Log matching with Cinema Line cameras

      The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey). Minimum ISO when shooting S-Log is 800, while the expanded ISO range is 200 - 640. Compared to the α1, detail reproduction has been improved and footage can be more easily matched with the output from digital cinema cameras that also offer S-Log3 such as Sony’s VENICE and BURANO. The ability to import User LUTs into the camera makes it easy to get an idea of the final post-edit look right in the camera.

      Dynamic active Mode stabilisation

      Dynamic active Mode stabilisation

      In addition to standard mode, Active Mode combines a precision image stabilisation unit and gyro sensor, while Dynamic active Mode adds electronic stabilisation for an additional approximately 30% effect, enabling stable recording even when the user is jogging.

      Breathing compensation

      Breathing compensation

      Focus breathing compensation effectively reduces focus breathing when shooting movies. Sony’s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view throughout focus changes for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse/Catalyst Prepare/ Catalyst Prepare Plugin software application during post production.

      Features for smooth focusing

      Features for smooth focusing

      A range of focusing tools support intuitive and professional movie making. AF Assist for temporary switching to manual focus, focus peaking display, and AF transition speed and sensitivity settings all help the user when shooting movies. Focus Map overlays a visual depth-of-field map on the live view display. Real-time Recognition AF, Real-time Tracking, and Focus Area are now available during digital zoom and Clear Image Zoom operation.

      Auto Framing automatically adjusts composition for the subject

      Auto Framing automatically adjusts composition for the subject

      Using AI-based subject recognition technology, Auto Framing automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator. The timing at which Auto Framing begins, the size of the subject in the frame, and the tracking speed can be controlled. Auto Framing can be ideal for recording interviews, music performance, cooking, and much more.

      Framing Stabilizer automatically maintains subject position

      Framing Stabilizer automatically maintains subject position

      Framing Stabilizer automatically maintains subject location within the frame when the camera operator is moving alongside the subject or in other situations where maintaining consistent framing can be difficult. AI-based subject recognition and Dynamic active image stabilisation maintain the composition and achieve stable imagery even when shooting handheld. [Center] mode automatically keeps the subject in the centre of the frame, while [Manual] mode lets subject position be freely specified.

      Flexible LCD monitor positioning

      Flexible LCD monitor positioning

      The 4-axis multi-angle monitor can be positioned for optimal viewing in horizontal or vertical orientation. The extended monitor can be tilted upward by approximately 98° and downward by approximately 40° to the camera back, and sideways by a full 180°. The hinge is unobtrusive but robust. The large 3.2 type 2.1 million dot display panel is touch sensitive, has a wide colour gamut, and is designed for clear outdoor viewing.

      High-performance electronic viewfinder

      High-performance electronic viewfinder

      A 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers clear viewing. Magnification is 0.90x with a 41° FOV for a clear, wide view, the updated structure giving a 25 mm high eyepoint. Time lag has been reduced for more stable framing. The finder frame rate for shooting stills can be set to [Standard] (60 fps), [High] (120 fps), or [Higher] (240 fps). Overall image quality has been significantly improved and aberration minimised.

      Standard and deep viewfinder eyecups provided

      Standard and deep viewfinder eyecups provided

      The α1 II is supplied with two viewfinder eyecups: the standard FDA-EP19 type and a deep FDA-EP21 type that the user can choose according to ambient conditions or personal preference. The new FPA-EP21 design is deeper than the standard FDA-EP19 type, enhancing viewing clarity by effectively blocking extraneous light that can enter between the eye and eyecup in bright shooting environments. The soft, close-fitting material and design enhance viewing comfort.

      Advanced grip hold and ease of use

      Advanced grip hold and ease of use

      The improved grip ergonomics ensure comfortable and stable shooting over long sessions with a shape that allows firm holding in the palm of the hand. A C5 custom button has also been added, and the grip design is replicated for prolonged vertical shooting with the optional VG-C5 Vertical Grip, which additionally offers extended battery life over the previous model.

      Supplied charger charges two NP-FZ100 batteries in 155 minutes

      Supplied charger charges two NP-FZ100 batteries in 155 minutes

      The supplied BC-ZD1 quick charger can simultaneously charge two NP-FZ100 batteries in approximately 155 minutes. when used with an AC adaptor providing USB PD (Power Delivery) power. This charger is ideal for charging two batteries for use at events or in other applications that require continuous operation over extended periods of time.

      Dual slots support CFexpress Type A memory cards

      Dual slots support CFexpress Type A memory cards

      The α1 II has two media slots that both support CFexpress Type A memory cards as well as UHS-I and UHS-II SD cards. CFexpress Type A cards are ideal for recording the huge volume of data produced by the image sensor, allowing 30 fps continuous still shooting and high-bitrate 8K and 4K movie recording. The same data can be simultaneously recorded to both cards, or files can be separated by type and size. A “relay” mode automatically switches recording to the second card when the first becomes full.

      Image playback functions that support immediate-delivery workflows

      Image playback functions that support immediate-delivery workflows

      Multiple media playback lets you seamlessly display all images on two memory cards by selecting all slots as the display target during playback. Group display of images such as those shot continuously or with interval shooting is also supported. And if set in advance, a rating can automatically be applied to the first image in continuous burst or Pre-Capture groups, or a divider image inserted before the first image in groups, enabling quick scrolling through and location of groups using the custom dial during playback.

      Dedicated microphone for clear voice memos

      Dedicated microphone for clear voice memos

      A dedicated voice memo microphone is built into the rear panel, making it easy to record clear voice memos even in noisy environments. These can be transferred to an FTP server along with the corresponding images, allowing the photographer to communicate effectively to the editor, or the Transfer & Tagging mobile application can be used to convert the voice memos to text prior to transfer. Either approach can significantly speed up the delivery workflow.

      IPTC metadata embedding and presets

      IPTC metadata embedding and presets

      IPTC (International Press Telecommunications Council) metadata can be added to still images. IPTC information can be written to IPTC metadata presets and loaded into the camera via a memory card. The α1 II can internally store up to 20 presets that can then be quickly selected when needed. This can be extremely useful at multi-sports events, for example, where different IPTC information is required for different competitions. The appropriate preset can be easily selected in-camera.

      Efficient data transfer by high-speed wired LAN and wireless LAN

      Efficient data transfer by high-speed wired LAN and wireless LAN

      Still image and movie files can be directly transferred from the camera to a specified remote FTP server via wired and wireless LAN. 2.5GBASE-T wired LAN connectivity allowing data transfer at up to 2.5 Gbps is now provided for stable, high-speed transfer of still and movie data from the camera to an FTP server and stable communication for PC Remote shooting. Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) with 2x2 MIMO support allows high-speed 5 GHz wireless communication with maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.

      USB Type-C ® connector supports SuperSpeed USB 10 Gbps (USB 3.2)

      USB Type-C ® connector supports SuperSpeed USB 10 Gbps (USB 3.2)

      A USB Type-C ® connector that supports fast SuperSpeed USB 10 Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files.

      Tools that support professional workflow

      Tools that support professional workflow

      The α1 II is compatible with Transfer & Tagging and Remote Camera Tools. Transfer & Tagging is a smartphone application that can speed up still-image workflows for professional sports and news photographers, allowing background FTP transfers to smartphone as well as fast tag/caption attachment, while Remote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN.

      Creators' Cloud platform

      Creators' Cloud platform

      Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

      Sony's goal: zero environmental footprint

      Sony's goal: zero environmental footprint

      Sony's environmental plan 'Road to Zero' is designed to reduce the Group's environmental footprint to zero by 2050. Avoiding non-renewable resources, we actively use recycled plastics in cameras, including our durable, high-quality SORPLAS™ material. Sony is also moving away from plastic packaging. The α1 II is the first high-end α-series product to be shipped in a plastic-free package made of Sony’s “Original Blended Material” that can be recycled as paper.

      Greater accessibility for all users

      Greater accessibility for all users

      Accessibility features such as Screen Reader that reads menu screen text aloud, Enlarged Menu Display, and others make it easier for everyone to enjoy shooting and playback using the α1 II. Furthermore, advanced features like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.

  • highlight
    • Highlight

      50.1 megapixel 35mm full-frame stacked Exmor RS™ CMOS image sensor

      General

      Interchangeable lens digital camera

      BIONZ XR image processing engine with blackout-free viewing and full AF/AE tracking at up to 30 fps

      Camera Section

      35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor

      Real-time Recognition AF recognises a wide variety of subject types for both stills and movies

      Image Sensor

      Yes

      Optical 5-axis image stabilisation achieves 8.5-step central / 7.0-step peripheral effect

      Recording (still images)

      JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

      Movie recording capability at up to 8K 30p and 4K 120p

      Recording (movie)

      XAVC S: MPEG-4 AVC/H.264,XAVC HS: MPEG-H HEVC/H.265

  • specifications
    • Specifications

      The α1 II is the second generation of Sony’s flagship α1 mirrorless interchangeable-lens camera. With enhanced AI-based subject recognition, and the high resolution and speed of the original α1, even higher capture success rates are now yours, realising unrivalled efficiency and freedom for professional workflows.

      General

      CAMERA TYPE

      Interchangeable lens digital camera

      Lens Mount

      E-mount

      Camera Section

      SENSOR TYPE

      35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor

      NUMBER OF PIXELS (Total)

      Approx. 50.5 megapixels

      NUMBER OF PIXELS (EFFECTIVE)

      Still images: Approx. 50.1 megapixels max.,Movies: Approx. 42.0 megapixels max.

      COLOR TEMPERATURE RANGE

      2500 K - 9900 K

      Image Sensor

      Anti-Dust System

      Yes

      Recording (still images)

      RECORDING FORMAT

      JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

      IMAGE SIZE (PIXELS) [3:2]

      35mm full frame L: 8640 x 5760 (50 M), M: 5616 x 3744 (21 M), S: 4320 x 2880 (12 M)

      Recording (movie)

      VIDEO COMPRESSION

      XAVC S: MPEG-4 AVC/H.264,XAVC HS: MPEG-H HEVC/H.265

      AUDIO RECORDING FORMAT

      LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)

      Recording System (movie)

      MOVIE RECORDING FORMAT (XAVC HS 8K)

      7680 x 4320 (4:2:0, 10bit) (Approx.): 29.97p (400 Mbps / 200 Mbps), 25p (400 Mbps / 200 Mbps), 23.98p (400 Mbps / 200 Mbps), 7680 x 4320 (4:2:2, 10bit) (Approx.): 29.94p (520 Mbps / 260 Mbps), 25p (520 Mbps / 260 Mbps), 23.98p (520 Mbps / 260 Mbps)

      MOVIE RECORDING FORMAT (XAVC HS 4K)

      3840 x 2160 (4:2:0, 10bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:2, 10bit) (approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps / 100 Mbps), 50p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps)

      MOVIE RECORDING FORMAT (XAVC S 4K)

      3840 x 2160 (4:2:0, 8bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps), 50p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 25p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps), 50p (200 Mbps), 29.97p (140 Mbps), 25p (140 Mbps), 23.98p (100 Mbps)

      MOVIE RECORDING FORMAT (XAVC S HD)

      1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps), 100p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 50p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 25p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (approx.): 59.94p (50 Mbps), 50p (50 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.98p (50 Mbps)

      MOVIE RECORDING FORMAT (XAVC S-I 4K)

      3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 50p (500 Mbps), 29.97p (300 Mbps), 25p (250 Mbps), 23.98p (240 Mbps)

      MOVIE RECORDING FORMAT (XAVC S-I HD)

      1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 50p (185 Mbps), 29.97p (111 Mbps), 25p (93 Mbps), 23.98p (89 Mbps)

      Movie Functions

      SLOW & QUICK MOTION (SHOOTING FRAME RATE)

      Yes

      PROXY RECORDING

      Yes

      TC / UB

      Yes

      RAW OUTPUT

      Yes (HDMI)

      Recording System

      Memory Card Slot

      SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card

      Focus System

      FOCUS TYPE

      Fast Hybrid AF (phase-detection AF / contrast-detection AF)

      FOCUS POINT

      Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)

      FOCUS SENSITIVITY RANGE

      EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached in AF-S)

      RECOGNITION TARGET (STILL IMAGES)

      Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

      RECOGNITION TARGET (MOVIES)

      Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

      OTHER FEATURES

      AF Level for Crossing (Still), AF Track for Speed Change (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)

      AF ILLUMINATOR

      Yes (with Built-in LED type)

      Exposure Control

      METERING TYPE

      1200-zone evaluative metering

      METERING SENSITIVITY

      EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

      EXPOSURE COMPENSATION

      +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)

      ISO SENSITIVITY

      Still images: ISO 100 - 32000 (expandable to ISO 50 - 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit), Movies: ISO 100 - 32000 equivalent, AUTO (ISO 100 - 12800, selectable lower limit and upper limit)

      ANTI-FLICKER SHOOT.

      Yes

      Viewfinder

      TYPE

      1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)

      Number of Dots

      9 437 184 dots

      Magnification

      Approx. 0.90x (with 50 mm lens at infinity, -1 m-1)

      DIOPTRE

      -4.0 to +3.0 m-1

      Eye Point

      Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at -1 m-1 (CIPA standard)

      Finder Frame Rate Selection

      NTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fps

      LCD Screen

      Monitor Type

      8.0 cm (3.2-type) type TFT

      TOUCH PANEL

      Yes

      Number of Dots

      2 095 104 dots

      Adjustable Angle

      Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °

      Other Features

      OTHER FEATURES

      Soft Skin Effect, Creative Look, Custom function, Picture Profile, Time-lapse, Auto Framing, Pre-Capture, Continuous Shooting Speed Boost, NR Shooting, Framing Stabilizer

      CLEAR IMAGE ZOOM (STILL IMAGES)

      Approx. 2x

      CLEAR IMAGE ZOOM (MOVIES)

      Approx. 1.5x (4K), Approx. 2x (HD)

      Shutter

      Shutter Type

      Auto / Mechanical shutter / Electronic shutter

      Shutter Speed

      Still images (Electronic shutter): 1/32000 to 30 s, Still images (Mechanical shutter): 1/8000 to 30 s, Bulb, Movies: 1/8000 to 1 s

      Flash Sync. Speed

      1/400 s (35mm full frame), 1/500 s (APS-C)

      Electronic Front Curtain Shutter

      Yes

      Image Stabilization

      Type

      Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)

      Compensation Effect

      Center 8.5 stops and Periphery 7.0 stops (based on CIPA2024 standard. Pitch/Yaw/Roll compensation. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)

      MODE

      Still images: On / Off, Movie: Dynamic active / Active / Standard / Off

      Flash

      TYPE

      -

      CONTROL

      Pre-flash TTL

      FLASH COMPENSATION

      +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

      EXTERNAL FLASH COMPATIBILITY

      Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

      Drive

      Continuous Drive Speed (approx. max.)

      AUTO/Electronic shutter: Hi+: 30 fps, Mechanical shutter: Hi+: 10 fps

      NO. OF FRAME RECORDABLE (APPROX.)

      JPEG Extra fine L: 190 frames, JPEG Fine L: 400 frames, JPEG Extra fine L: 400 frames, RAW: 240 frames, RAW & JPEG: 200 frames, RAW (Uncompressed): 84 frames, RAW (Uncompressed) & JPEG: 80 frames, RAW (Lossless Compressed): 100 frames, RAW (Lossless Compressed) & JPEG: 86 frames

      Pixel Shift Multi Shooting

      Yes (4 shots / 16 shots)

      Playback

      MODES

      Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture

      Accessibility

      FUNCTIONS

      Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Multi-angle LCD screen, Custom function, Enlarge Menu Screen

      Interface

      PC INTERFACE

      Mass-storage / MTP

      MULTI / MICRO USB TERMINAL

      Yes

      USB TYPE-C TERMINAL

      Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)

      NFC

      -

      Sync Terminal

      Yes

      WIRELESS LAN (BUILT-IN)

      Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))

      Bluetooth

      Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))

      HDMI OUTPUT

      HDMI connector (Type-A), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 7680 x 4320 (29.97p / 25p / 23.98p), YCbCr 4:2:0 8bit / RGB 8Bit, 4332x2446 (59.94p / 50p / 29.97p / 25p / 23.98p), Raw 16bit

      Multi Interface Shoe

      Yes (with Digital Audio Interface)

      Mic Terminal

      Yes (3.5 mm Stereo minijack)

      Headphone Terminal

      Yes (3.5 mm Stereo minijack)

      REMOTE CONTROL (WIRELESS)

      Yes (Bluetooth remote control)

      LAN Terminal

      Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)

      FUNCTIONS

      FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi), Send to smartphone, Remote control via smartphone, PC Remote

      USB Streaming

      VIDEO DATA FORMAT

      MJPEG, YUV420

      VIDEO RESOLUTION

      3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)

      AUDIO DATA FORMAT

      LPCM 2ch (16bit 48 kHz)

      Network streaming

      VIDEO DATA FORMAT

      MPEG-4 AVC/H.264, MPEG-H HEVC/H.265

      VIDEO RESOLUTION

      3840 x 2160 (30p), 3840 x 2160 (25p), 2560 x 1440 (30p), 2560 x 1440 (25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p / 60p), 1280 x 720 (25p / 50p)

      AUDIO DATA FORMAT

      AAC-LC 2ch (16bit 48 kHz)

      PROTOCOL

      RTMP, RTMPS, SRT

      Audio

      Microphone

      Built-in: stereo, Built-in: voice memo

      Speaker

      Built-in: monaural

      Lens Compensation

      SETTING

      Shading, Chromatic Aberration, Distortion, Breathing (Movie)

      Power

      SUPPLIED BATTERY

      One rechargeable battery pack NP-FZ100

      Battery Life (Still Images)

      Approx. 420 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)

      Battery Life (Movie, actual recording)

      Approx. 85 min (Viewfinder) / Approx. 90 min (LCD monitor) (CIPA standard)

      Battery Life (Movie, continuous recording)

      Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard)

      Internal Battery Charge

      Yes (Available with USB Type-C Terminal. USB Power Delivery support)

      USB POWER SUPPLY

      Yes (Available with USB Type-C Terminal. USB Power Delivery support)

      Power consumption with Viewfinder

      Still images: Approx. 4.7 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.0 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Power consumption with LCD screen

      Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Size & Weight

      WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)

      Approx. 743 g / Approx. 1 lb 10.3 oz

      BODY ONLY

      Approx. 658 g / Approx. 1 lb 7.3 oz

      Dimensions (W x H x D)

      Approx. 136.1 x 96.9 x 82.9 mm, Approx. 136.1 x 96.9 x 72.8 mm (from grip to monitor) / Approx. 5 3/8 x 3 7/8 x 3 3/8 inches, Approx. 5 3/8 x 3 7/8 x 2 7/8 inches (from grip to monitor)

      Operating temparature

      OPERATING TEMPERATURE

      0 - 40 ℃ / 32 - 104 °F

      Supplied Accesory

      WHAT'S IN THE BOX

      Rechargeable Battery NP-FZ100, Battery Charger BC-ZD1, Cable Protector, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup (FDA-EP19), Eyepiece cup (FDA-EP21)

  • Delivery Information
    • Delivery Information

      How much does delivery cost?

      Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

       

      What is the expected delivery lead time?

      Products excluding those listed under Televisions and Home Cinema:

      For orders below $100, your order will be delivered within 3 working days upon order placement of products.

      For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

      Time Of Order

      Estimated Delivery Date

      Example

      Mon – Thu

      Orders before 2pm

      Receive it the next working day

      Order on Monday 11am, receive on Tuesday

      Mon – Thu

      Orders after 2pm

      Receive it the 3rd working day

      Order on Monday 2pm, receive on Wednesday

      Fri, Eve of PH

      Orders before 2pm

      Receive it the next working day

      Order on Thursday 11am (eve of PH), receive it on Monday

      Fri – Sun, Eve of PH

      Orders after 2pm

      Receive it on the 3rd  working day

      Order on Thursday 2pm (eve of PH), receive it on Tuesday

       

      Same day delivery is only applicable for orders $100 and above during selected periods and/ or models*. Same day delivery is only applicable for orders made on Monday - Saturday, before 2pm. Please expect a phone call after placing your order for arrangement of the time of delivery.

      *Same day delivery promotion period will be highlighted on homepage and/ or product page.

       

      Large products (products listed under Televisions and Home Cinema):

      Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

      Some condominiums may have specific delivery time slots and/ or limit deliveries. Kindly check with your condominium management for the approved time slots for delivery. Please notify your condominium management once we have confirmed the delivery date and time.

       

      Where do you ship to?

      Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

      For more information, please refer to our Online Shopping FAQ